Writer Wednesday - Setting

This post was delayed by three weeks. Many apologizies.

For me, setting is a huge part of what brings wonder to a novel. Even a gritty novel could be tempered with a bit of wonder. Within the past year, the novel with the strongest sense of wonder for me was The Red Wolf Conspiracy by Robert V. S. Redick. And that was mostly because of the setting on board a singular, mighty ship.

The first contemporary fantasy I ever read stuck with me through the years largely because of the wonderful setting of its very first scene. Imagine a tree as large as a redwood, with limbs that spread as broad as an oak. And then imagine, nestled in the arms of that tree, an inn:

It was getting harder to keep up the old inn. There was a lot of love rubbed into the warm finish of the wood, but even love and tallow couldn't hide the cracks and splits in the well-used tables or prevent a customer from sitting on an occasional splinter. The Inn of the Last Home was not fancy, not like some she'd heard about in Haven. It was comfortable. The living tree in which it was built wrapped its ancient arms around it lovingly, while the walls and fixtures were crafted around the boughs of the tree with such care as to make it impossible to tell where nature's work left off and man's work began. The bar seemed to ebb and flow like a polished wave around the living wood that supported it. The stained glass in the window panes cast welcoming flashes of vibrant color across the room.

From this,  the second paragraph of Dragons of Autumn Twilight, the first volume of the Dragonlance Chronicles, the authors established a sense of wonder in their setting. And they didn't let up throughout the entire trilogy.

Upon the next page comes the reason for the tree being built in the inn:

The Inn of the Last Home was built high in the branches of a mighty vallenwood tree, as was every other building in Solace, with the exception of the blacksmith shop. The townspeople had decided to take to the trees during the terror and chaos following the Cataclysm. And thus Solace became a tree town, one of the few truly beautiful wonders left on Krynn.

Which is a lie. From Prayer's Eye Peak to Godshome and the Dark Queen's temple in Naraka, it's hard to find a trilogy with so many imaginative settings. Lots of people like to deride the Dragonlance Chronicles. Say what you will, but the authors did at least two things very well: they created lovable characters, and they created wonderful settings.

Other memorable settings come from novels I keep mentioning again and again. The forest in The Once and Future King. The cave in Clan of the Cave Bear. New York City at the end of the nineteenth century in The Gaslight Mysteries. The Shire, Rivendell and Minas Tirith in Lord of the Rings. The Cliffs of Insanity in The Princess Bride.

One real-world sight that inspired me was the Luxor in Las Vegas. There is a light that shines from the top of the pyramid straight out into space. It's arrogant and it's so very American. The entire hotel inspired a setting in my epic fantasy, which I'll share in the comments.

Please share any settings that have inspired you and, if you wish, allow us to read some of the settings you have written. As ever, please place your comments and your excerpts in separate posts, and keep any excerpts to 300 words or fewer.