An Interview With Jeffrey Overstreet

Jeffrey Overstreet had a respite in his writing schedule and agreed to answer a few questions. While preparing this post, I made the shocking discovery that I never did a proper announcement on AURALIA'S COLORS! Therefore, I'll include a few links at the end of this post. First, the interview!

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FD: Please tell us about your inspiration for AURALIA'S COLORS.

JO: Beauty can be dangerous. I was on a hike at Flathead Lake in Montana, exploring that glorious scenery with a woman named Anne. We were talking about fairy tales and imagination, and she said, "Isn't it strange how most people reach a certain age where they fold up their imaginations and put them in a closet?"

That question landed like a fish hook in my head. A story took hold and started reeling me in. I began to imagine a society in which people were burying all of their creative expression, all of the mysteries that inspired them to imagine, all of the colorful parts of their experience. Naturally, they became a culture starved for beauty. And while I imagined this, walking through that beautiful Montana landscape, I realized that I was looking over the shoulder of a character who was an artist. This character's heart was broken because of what she saw happening in that society (which is called House Abascar). So she gathered up all of the colors in the world, and even more than that, and carried them into that society to remind the people of all they were losing.

That was the beginning of ten years of work. I blame Anne, who I eventually married. I blame Montana. And I blame God, who created both Anne and Montana.

FD: Can you give us a teaser about the next novel in The Auralia Thread, Cyndere's Midnight?

JO: Well, the series is called The Auralia Thread, and in the second, third, and fourth book we will get glimpses of life within the other cultures of the Expanse. And we'll see how Auralia's imaginative art continues to influence those who discover it.

The second book, Cyndere's Midnight, is about a creature called a "beastman" who discovers Auralia's colors. When he finds himself "stuck," so to speak, in the company of a grieving widow named Cyndere, a very unstable friendship develops. Meanwhile, the people of House Abascar are in trouble once again, and their survival depends on what happens between Cyndere and the beastman.

Oh, and in case anybody asks, "Cyndere" is pronounced like the word "cinder." And "Auralia" is pronounced "o-RAY-lee-uh."

FD: As I read AURALIA'S COLORS, I could not help but notice that all color is vividly described and emphasized. Are you an artist as well as a writer?

JO:I wish! No, alas, I am not a visual artist. But there are few things I enjoy more than great visual art. I'm a huge fan of Georgia O'Keeffe, and my wife and I spend a lot of each year visiting Santa Fe, New Mexico, and soaking up the natural beauty of the places where O'Keeffe worked. I love filmmakers who create poetic imagery, like Terrence Malick and Krzysztof Kieslowski. I try to paint "word pictures" that are vivid, and that put readers' imaginations to work. But God is the greatest visual artist. All artists are trying to capture some measure of the beauty and design he's made, whether they know it or not.

FD: Did you have any historical sources for AURALIA'S COLORS, or did you invent it all?

JO: Oh, I'm sure there are chapters of history that influenced me. But I didn't do any historical research to give detail to House Abascar.

But the questions explored in Auralia's Colors come from my own personal history. They come from my own struggles in various cultural conflicts. In all kinds of contexts, imagination and beauty are fractured by fear, oppression, ignorance, and greed. I see it happening in the context of world events, in relationships between governments and their people, the relationship between artists and their audiences, in the way schools and churches and families respond to beauty and truth.

Those are the conflicts that gave me a passion to explore them through storytelling.

FD: What is your favorite scene in AURALIA'S COLORS?

JO: That's almost impossible to answer. If I didn't love a scene, it didn't make it into the final draft of Auralia's Colors. There is a scene in the chapter called "Promontory" in which Auralia has to make a crucial decision. She climbs out onto a rocky outcropping and looks out at House Abascar. It's the moment that I first imagined, and it's the moment that the artist, Kristopher Orr, chose for the cover of the book (much to my surprise and delight). I'm rather fond of that moment.

But I loved sharing the experience of the two old thieves who found Auralia lying in a monster's footprint. I loved the experience of floating across Deep Lake on a raft with the ale boy, knowing something mysterious was swimming beneath the surface of the water. And I especially love what Auralia does when she is imprisoned, while that grotesque jailer called Maugam is punishing another prisoner. I become passionate about a scene when I see a glimmer of light in the darkness.

FD: What scene gave you the most trouble?

JO: Finding the right place to end the book -- that was a challenge. After the climactic moments, there's much more to tell people about Prince Cal-raven and the people of Abascar, and about Auralia's unfinished work. What was a very long epilogue was trimmed down quite a bit, and some of that material will appear in the sequel, Cyndere's Midnight.

It's always hard to lose a character too... even the villains. And people die in this story. Maybe not who you'd expect.

FD: Please share the story of how AURALIA'S COLORS came to be published.

JO: Well that's a long story, and it's more bizarre than any story I could invent.

Here's the short version: I'd written Auralia's Colors, and I was discouraged by everything I'd read about the process of finding an agent and getting published. Anne and I prayed together one day, and I remember saying, "Lord, if you want this story to be published, you may have to drop somebody out of the sky with a golden ticket."

A few days later, I received an email from a flight attendant in Atlanta. She had liked one of my movie reviews, and noticed that my bio mentioned some novels-in-progress. She was coming to Seattle for, of all things, a dentist's appointment, and wondered if we could meet for lunch, because she was curious about my novels. I thought this was highly unusual, but I was curious. We met for lunch, and she read a few pages of Auralia's Colors and another novel, one I've written for younger readers. She made a couple of phone calls to people she knew, and then told me that I would receive an important phone call the next day. I wasn't sure what to believe.

The next morning, I got a phone call from the head of Random House's WaterBrook Press. We had a great conversation. One thing led --or rather, leapt -- to another, and Auralia's Colors was published by WaterBrook.

In short: Somebody dropped out of the sky and gave me a golden ticket. And I live in a state of gratitude and near-disbelief. Now, ask me... do I believe in prayer?

FD: Have you finished any other novels previous to AURALIA'S COLORS? If so, can we expect to see them in print?

JO: I have a complete novel for young readers, a story I can't wait to share. I suppose if I were pitching it, I'd say, "It's Finding Nemo meets The Rescuers meets Raiders of the Lost Ark ." But it's also something new, I think. I wrote it because I hadn't read a story quite like it. I wrote it with a wild hope that it might someday become a Pixar animated film. Friends in my writers' group thought it was more likely to be published than Auralia's Colors, so we've been surprised by what's happened. Now I'm so busy with The Auralia Thread that I haven't had any time to pass it around. The main character, Max, is my favorite of all of my characters, so I'll find him a home someday. Or a nest. He's a bird, you see.

FD: It's rather daunting to be interviewing a movie reviewer who has interviewed movie producers, directors and stars such as Liv Tyler and Orlando Bloom. Do you have any interviewing tips for my fellow bloggers out there (and me)?

JO: I'm still learning about how to host a good interview. But I've learned a few things. I've learned to figure out what your subject wants to talk about, rather than what I want to talk about. Get them talking about something they're passionate about. I loved interviewing actor Michael Caine and director Danny Boyle because they're so passionate. I always have great conversations with the singers and songwriters from Over the Rhine -- Linford Detweiler and Karin Bergquist -- because they're such passionate and thoughtful artists. Also, be informed. Study up on the person before you ask questions. Read other interviews and learn what questions they've already answered a hundred times, and find the thing that will make your interview something that nobody can find anyplace else.

FD: I was surprised to find that you have a day job as an editor. After all, you write novels and movie reviews, and you keep several very active blogs. Have you mastered the secrets of time travel? Please tell us about your typical working day.

JO: For years, I wrote on the bus ride to work, and then again on the bus ride home. Now, I have to drive because the bus routes are too long. So I write on my lunch break. I write on 15-minute coffee breaks. When I get home from work at 7pm, I eat dinner, and then my wife and I go to a coffee shop that's open late. And we write. On the weekends, we write. I get some of my best ideas while I'm listening to my pastor, Michael Kelly at Seattle's Crosspoint Presbyterian Church, preach. He's very inspiring. And then, when I go on vacation... I write some more! When Anne and I were dating, our typical outing was a trip on one of Seattle's ferry boats, and we would write, read each other's work, and offer critiques. Not your typical love story, really. But we're grateful. Most of the stories I share about my life begin with, "You're not going to believe this, but...."

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Thank you so much, Jeff! Jeff is all over the place online. He has a blog plus his movie review site, LookingCloser.org. He also does movie reviews for Christianity Today. My posts on Auralia's colors are here, plus you can check out reviews by Fantasy Book Critic and Front Street Reviews. The Amazon links are USA, UK, Canada.

AURALIA'S COLORS - Final Post

While this is my final official post on AURALIA'S COLORS, that doesn't mean that I might pop up with another post on it in the future. Books like this tend to stay on my mind for weeks. When I wrote about David Anthony Durham's Acacia, I ended up putting up another post on it a week after my so-called "final" post. So you never know. I'm flighty that way.

I finished this book on New Year's Eve, some 2 1/2 months after I started. However, that was not the fault of the book. I had some author-sent books to read, and I wanted to get through them first.

This novel is difficult to summarize. It begins when a young female baby is discovered by a pair of outcast "gatherers". The baby has been placed carefully into the impression of a monstrous footprint. Almost like it was a cradle. The Gatherers who find her are outcasts of House Abascar, criminals who serve there time by living outside the protective walls of the house.

Paradoxly, these outcasts live outside, where there is the color of nature, while inside the house, the housefolk must earn the right to wear colors. Why? This scheme is the brainchild of Queen Jaralaine, who seeks to restore the glory of House Abascar. To do so, she declares the Proclamation of the Colors. During a period of Abascar's Winter, the housefolk must wear drab colrs and sacrifice everything beautiful to the throne. After sufficient sacrifice is made and enough beautiful things gathered, the colors will be restored in Abascar's Spring.

However, the Queen -- who has a tendency to wander -- disappears before she can declare Abascar's Spring, and King Cal-marcus never declares the Spring. Twenty colorless years go by.

Then, along comes Auralia, a weaver of fabulous things, things that bring hope to the wearer, and even, it is said, things that can heal.

The author, Jeffrey Overstreet, breaks a lot of "rules". He doesn't give us a lot of behind-the-eyeballs time with the title character, Auralia. At the same time, he puts us in a fever to read about her. The POV jumps from person to person, here the heroic/villianous Captain Arc-robin, there the nameless ale boy, here the king, Cal-marcus, there his son, Cal-raven. But somehow, I don't mind -- at least not after the opening chapters.

The author also yanks us out of the present just when it is getting interesting, and plunges us into the past to the schemings of a most unpleasant character, Queen Jaralaine through the eyes of the intriguingly complex Captain Arc-robin.

And then there is the ale boy, whom I tended to dismiss at first because he had no name. Even when he does learn his name, the reader does not. Grr. This is really the only quibble I have with the novel. People tend to get named, at least in Western cultures. Nothing in this book suggested that it was anything other than a quasi-Western culture. I am reminded of the Dog Boy in T. H. White's The Once and Future King. The poor Dog Boy didn't have a name either, but at least his designation got capitalized letters.

However, I cannot help but feel that the author kept his name from us because it might give something about him away. I cannot ignore the imagry behind some of the names in this novel. Auralia sounds very much like Aurora, which is the Latin word for dawn. This is a very apt name for her. Dawn is a burst of colors and light, just as Auralia is.

Color is the defining theme of this novel. Overstreet seeps his world in color, but only -- or so it seemed to me -- when Auralia is present. Everything is brown and drab and grey, but when Auralia comes along, she paints the world in her wake. This scene at the top of the cliff -- the subject of the cover art -- was the most unforgettable scene in the novel, even though I hardly understood what was happening.

After the cliff scene, I had a very difficult time putting the novel down. Auralia brings colors to Abascar, but she also brings a lot of trouble to herself. Mythical creatures mentioned throughout the book -- the Northchildren and the Keeper -- gradually become more real to the reader in what really is masterful storytelling. Nothing was a surprise, yet the way everything unfolded certainly could not be predicted.

Many questions are left unanswered in this, the beginning of a series. However, the book ended after a cataclysmic climax, and it had an epilogue I did not expect.

As I said in my year-end round-up, this book has a sense of wonder that I don't often see in fantasy these days. All too often these days, authors strive for gritty realism. We rarely get moments like that first glimpse of Rivendell in The Lord of the Rings, or when Lancelot performed his miracle in The Once and Future King, or when Silas found his gold in Silas Marner. The wonder in this novel was in Auralia's colors. It is a well-named book, and I look forward to reading the next installment, Cyndere's Midnight. Hmm. Is it a coincidence that Auralia's name is very like Aurora from Sleeping Beauty, and Cyndrele's name is very like Cinderella? Time will tell.

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Links!
All my posts on AURALIA'S COLORS
All my posts on Jeffrey Overstreet (may overlap with the above)
Jeffrey Overstreet's Website and blog
Amazon Links - USA, UK, Canada
Novel page at Waterbrook

Upcoming - an interview with Jeffrey Overstreet!

AURALIA'S COLORS - Plot Threads

I am just over halfway through Auralia's Colors by Jeff Overstreet. Now that I no longer have any other novels competing with it, I should be able to get along much quicker.

It's difficult to summarize this book. The people of House Abascar live under oppression. All things with color must be given as gifts to the king, and the people can only wear drab clothing. The exceptions are favored ones of the house, who can earn various colors. The Queen of House Abascar declared that this time of no colors would be the Winter of Abascar, and it would remain Winter until she declared that it was Abascar's Spring.

Except the Queen has since disappeared, and the Winter has dragged on for two decades.

Into this House comes Auralia, who has a gift with weaving colors from things found in nature. Another key character appears to be the ale boy, who has no name that he knows. Auralia says that she knows his name, but she cannot pronounce it. Anyway, the ale boy has a way with fire. An exiled mage has a gift with stone. And the Captain of the Guard, Arc-robin, who enforces all of the King's edicts, seems to key into the story in a significant way.

Despite its somewhat leisurely opening, this novel is shaping up to be very good.

AURALIA'S COLORS - Opening Chapters

I'm about fifty pages into Auralia's Colors and I must admit that I'm having a tough time. After a very strong opening where two thieves found a small baby girl inside a monster footprint, the opening chapters lose a lot of steam. The point of view is omnipresent, and at an extreme distance. We watch Auralia grow into a child over the course of about eight to ten very engaging pages. During this period, Auralia names herself in such a way that you believe that it is her given name. Since she was discovered as a baby, how could she know her given name? It's a mystery, and I like mysteries.

However, we then switch to the point-of-view of Captain Ark-robin, who has a fascinating encounter with Auralia out in the forest. This only whets our appetite to get behind Auralia's eyeballs, but instead, we are plunged back in time many years, to where Queen Jaralaine put her plan into action make the kingdom the most envied kingdom of all. Part of this plan requires everyone outside the palace walls to dress only in drab blacks, greys and browns, and for the palace to stand out in stunning, colorful contrast. It almost sounds like a fairy tale and I like novels that have this sort of magic.

I do wish so much time had not been devoted right away to Queen Jaralaine. I think we needed some more time with the title character in order to develop a deeper attachment to the story. Queen Jaralaine comes off as completely insane. She is motivated purely by a selfish desire for more and better things, and she will rob a kingdom of its beauty to get it. Her husband the king is completely ruled by her. It was very difficult to get through this chapter.

An impatience to get back to Auralia is keeping me reading. I'm no stranger to tough reads. This novel's hook sounded very engaging so I'm not ready to give up on it. Hopefully I'll have a more positive post in a few days!